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Feature
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From Chaos to Stillness – On Writing ‘The Wind Stills to Listen’
Deirdre Cartmill
Deirdre Cartmill
Deirdre Cartmill on her new collection
Iron Men
Maria Isakova Bennett, Yvonne Reddick, Ron Davies
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Maria Isakova Bennett, Yvonne Reddick, Ron Davies on Anthony Gormley’s Iron Men installation at Crosby, North London and the surrounding landscape;
Wild, Groovy Images
Nine Queen Bees, James Liddy, and Patrick Kavanagh among the Beats
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Karl O’ Hanlon on Nine Queen Bees, James Liddy, and Patrick Kavanagh among the
Beats.
John McGahern, Ian Hamilton and the New Review
An Exploration
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Frank Shovlin on John McGahern, Ian Hamilton and the New Review.
Little Magazines from Bombay and Transnational Reading Networks (1960-1980)
An Exploration
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Tapasya Narang discusses the ‘Little Magazines’ from Bombay and Transnational Reading Networks (1960-1980)
On Beginnings In Little Magazines
a Response and Look into Threshold and Honest Ulsterman’s Early Years in the HUMAN Archive
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George McWhirter on the early years of Threshold and The Honest Ulsterman.
Which War Was It, Bill?
Schulz, Snoopy and War
Greg McCartney
An exploration of how Charles Schulz used Snoopy to articulate his views on war.
War Has Never Been So Much Fun?
British Comics and War
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Gregory McCartney surveys British Comics and War.
A Tale of Three Soldiers from Kyiv to Zaporizhia
Rosemary Jenkinson
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Rosemary Jenkinson reports from Ukraine
Blueprint
The magazine was created by the late poet James Simmons in May 1968, when Paris was teetering on the brink of revolution and Northern Ireland civil war. It was subtitled “A Handbook
for Revolution”, in response to which the RUC raided the printers, failing
to comprehend that a revolution might be a poetic rather than a Republican or
Marxist one. Instead, Simmons had hoped to bring about a revolution in the way
we view the world, beginning with our own…